{"product_id":"screen-culture-in-the-global-south-cinema-at-the-end-of-the-world-paperback","title":"Screen Culture in the Global South: Cinema at the End of the World - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eAntonio Traverso\u003c\/b\u003e (Editor), \u003cb\u003eDeane Williams\u003c\/b\u003e (Editor), \u003cb\u003eKeyan G. Tomaselli\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThis volume adopts a transversal South-South approach to the study of visual culture in transnational, transcultural, and geopolitical contexts.\u003c\/p\u003e\u003cp\u003eEvery day hundreds of people travel back and forth between southern countries, including Australia, Argentina, Brazil, Chile, New Zealand, Indonesia, Timor-Leste, and South Africa. With these people travel cultures, experiences, memories, and images. This creates the conditions for the generation, sharing, and circulation of new knowledge that is both southern and about the South as a specific kind of material and imaginary territory (or territories). It does so through the study of the southern hemisphere's screen cultures, addressing the broad spectrum of cultural expression in both traditional and new screen media, including film, television, video, digital, interactive, and online and portable technologies.\u003c\/p\u003e\u003cp\u003eThis book was originally published as a special issue of \u003ci\u003eCritical Arts\u003c\/i\u003e.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAntonio Traverso\u003c\/strong\u003e is a Senior Lecturer at Curtin University, Australia, where he teaches Screen Studies. He is co-editor of \u003ci\u003eEl Documental Político en Argentina, Chile y Uruguay\u003c\/i\u003e (with Tomás Crowder-Taraborrelli, 2015), \u003ci\u003ePolitical Documentary Cinema in Latin America\u003c\/i\u003e (with Kristi M. Wilson, 2014), and \u003ci\u003eInterrogating Trauma: Collective Suffering in Global Arts and Media\u003c\/i\u003e (with Mick Broderick, 2011).\u003c\/p\u003e\u003cp\u003eDeane Williams is Associate Professor of Film and Screen Studies at Monash University, Australia. He was Editor of the refereed international journal \u003ci\u003eStudies in Documentary Film\u003c\/i\u003e (2006-2017). He is the author of \u003ci\u003eThe Cinema of Sean Penn: In and Out of Place\u003c\/i\u003e (2015), co-editor of \u003ci\u003eThe Grierson Effect\u003c\/i\u003e (with Zoë Druick, 2014), and co-editor of \u003ci\u003eAustralian Film Theory and Criticism\u003c\/i\u003e (three volumes, with Noel King and Constantine Verevis, 2013-6).\u003c\/p\u003e\u003cp\u003eKeyan G. Tomaselli is Distinguished Professor in the Department of Communication Studies at the University of Johannesburg, South Africa. He is editor of \u003ci\u003eCritical Arts\u003c\/i\u003e and has been working with various Chinese universities on cultural and media topics.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 226\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.5 x 9.69 x 6.85 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e January 29, 2024\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":50359265558765,"sku":"9780367504465","price":93.94,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/8918\/9441\/files\/i9p65nk27h9780367504465.webp?v=1785359264","url":"https:\/\/www.webster.direct\/products\/screen-culture-in-the-global-south-cinema-at-the-end-of-the-world-paperback","provider":"Webster.Direct","version":"1.0","type":"link"}